DELUXE LIMITED version includes a bonus CD with Home Recordings. This record is the product of a strange and interesting time. When I started writing Gathering, I felt tired of living in the shadow of my earlier self, my earlier work, but more than discouraged, I felt charged with the possibility and the freedom of cutting myself loose from my own and others expectations. I began with an exciting sense of dissatisfaction, and what emerged, as I began to find my voice, was a record full of storms. Some, like Feels Like Lightning or Friendamine, are physical storms. Others, like Dreams, are interior ones. Listening to these songs now, I hear uncertainty, mania, laughter and sadness, all vying for their place on the album. I was surprised by the new voice. I have been writing records for almost twenty years now. Each one has been different from the last in subject and form, but with Gathering I feel I've found a new electric dissatisfaction, a new way to rejoice as the storm rolls in.
On 1977's A Farewell to Kings it quickly becomes apparent that Rush had improved their songwriting and strengthened their focus and musical approach. Synthesizers also mark their first prominent appearance on a Rush album, a direction the band would continue to pursue on future releases…
Led Zeppelin formed out of the ashes of The Yardbirds. Jimmy Page had joined the band in its final days, playing a pivotal role on the group's final album, 1967's Little Games, which also featured string arrangements from John Paul Jones. During 1967, the Yardbirds were fairly inactive. Whilst the band members decided the group's future, Page returned to session work in 1967…
An album that fades in – grinding and beeping like a space shuttle returning to Earth – Born in the Echoes is the first LP in five years from the Chemical Brothers. It's a journey back home for the big beat or stadium dance duo, just like that spaceship intro implies, and one with all the necessary mutations. The dark, otherworldly, and prog rock sounds that kept many away from their 2010 release Further are back, although here they're framed much more attractively. Inspiration, innovation, and a well-chosen group of guest vocalists are rolled out sensibly, schooling the current EDM crowd on how to craft an album while balancing the heavy songs. With the hallucinatory, interlude-like "Taste of Honey" giving way to the Cate Le Bon feature on the Meco-meets-Nico title track, this album ebbs and flows as if the '70s Pink Floyd hadn't ignored disco. Speaking of, "Under Neon Lights" with St. Vincent as a robot siren is either Studio 54 on shrooms or The Matrix on acid. As usual, none of it is too garish even with all the loudness and chaos, and some of it is quite gothy and dark, including "EML Ritual" with Ali Love helping execute a mainstream dance tune that coolly acknowledges the passed-on genre of "witch house."
4-Disc 30th Anniversary Edition featuring the remastered original album, B-Sides, rare mixes & more across 3CDs plus a Blu-ray disc with the full Kick album mixed in Dolby Atmos immersive surround sound by Giles Martin & all the music videos. Housed within DVD sized fan-deluxe packaging including 48-page booklet with interviews, essays & rare photos.
Orchestral Manoeuvres in the Dark will reissue its fifth album, 1984′s pop comeback Junk Culture, in February as a two-disc Deluxe Edition that will find the original album fully remastered and supplemented by a disc of the era’s B-sides, extended remixes and five previously unreleased songs and demos. The bonus disc features 10 B-sides and remixes, plus two previously unheard songs (“All or Nothing” with Paul Humphreys on vocals, and “10 to 1,” an unreleased song featuring lyrics later used in “Love and Violence”), plus three previously unreleased Junk Culture demos.
For one brief moment, Dexy's exploded into America's consciousness – and what a song to do it with! "Come on Eileen" combines ramalama rock & roll, soul delivery, and Celtic/country flavor into a perfect musical fusion and an irresistible U.K. and U.S. number one hit. The rest of the album is nearly as successful, with quite a few numbers that should have matched "Come on Eileen"'s fame. Given that song's obvious debt to Van Morrison's similar fusions, it's no surprise that Dexy's tipped their hat with a great cover of Morrison's "Jackie Wilson Said," another big British single.