Making transitions is never easy, and the way Juliet Simmons Dinallo expresses the ups and downs of the human process of moving, changing and growing older is the joy of listening to Dream Girl. There’s tension here, and unresolved matters of the heart and soul: “I don’t have all the answers,” goes one song, and another finds the narrator driving from Nashville to Memphis, accompanied by a groove that evokes the sweet-and-sour styles of both cities. Juliet Simmons Dinallo and Michael Dinallo, who collaborated on three of the songs here (Juliet wrote the rest) sound as though they’re in love with the music of the South, but they’re also in love with the possibilities of transition that soul music has always laid out so eloquently.
Since 2004's Player!, blues-centric guitarist/vocalist Nick Curran left his record label, joined up with Kim Wilson's latest incarnation of the Fabulous T-Birds, performed with his own punk-blues combo Deguello, and basically rumbled and tumbled through a number of sundry side projects, all the while eschewing the solo career that led to him taking home the 2004 W.C. Handy Award for Best New Artist Debut. Clearly, this allowed the ever-musically voracious Curran a chance to stretch his chops and imbibe more of the vast array of influences that spark his interests, from '40s jump blues and '50s rock & roll, to '70s punk and '80s hard rock. All of which Curran brings to bear on his fiendishly inspired, 2010 solo comeback Reform School Girl. A fiery, campy, and insanely rockin' album, Reform School Girl sounds like something along the lines of Little Richard backed by the Misfits with Phil Spector recording the proceedings in his garage.
Here is a great collection of extremely rare doo-wop tunes from black artists/groups. There are 1340 tracks on 45 cds and I am betting that there are hundreds of tracks you won't find anywhere else.
Doo-wop is a genre of music that was developed in African-American communities in New York, Philadelphia, Chicago, Baltimore, Newark, Pittsburgh, Cincinnati, Detroit, Washington, D.C. and Los Angeles in the 1940s, achieving mainstream popularity in the 1950s and early 1960s.
I have a collection of 135 titles (142 CDs) issued by Goldmine/Soul Supply record company. This is not a box set but rather it is a collection of albums that are similar in that they all are rare soul compilations by the same company. There are some tracks that are on more than one album but considering the scope and magnitude of this collection, the number of duplicated tracks is small. Some CDs have good artwork, some have none, most have some artwork of varying quality. All are 320 CBR MP3 and are fully tagged. Original post now has added CDs.