This special collector's edition contains 30 remastered recordings by Charlie Feathers, consisting of a selection of the magnificent tunes he made at his peak for different labels (such as Sun, Meteor, Kay, Wal-May and King Records) between 1955 and 1962. All of his most famous songs and enduring singles are featured on this great CD, which is a quintessential testament to the true genius of rockabilly's main man, the late, great Charlie Feathers.
Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. A really great title for this classic late 50s set – as the record showcases a host of young alto players who've all come up in the generation of Charlie Parker – but who are each bringing their own sense of style to the instrument! There's hardly any "bird feathers" here – as the Charlie Parker modes are never used slavishly, but instead as a way to sprout wings and really take off in new direction – a difference that really comes through wonderfully on the tracks that feature two different altoists playing together.
Hailing from Gothenburg, Sweden the AVATAR lads grew up in the eye of a storm of local musicians made up of metal greats and legends who conquered the world and redrew the map of heavy metal on a monthly basis. This was the measuring stick, and the group have proudly taken on the challenge ever since. The band released Black Waltz in 2012 and found their voice in the madness and started to truly forge their own path in the music they were making. In 2016, Avatar are releasing their latest endeavor Feathers & Flesh, and the promise that's given is that nothing will be the same ever again…
‘Dee Dee’s Feathers’ is the first collaboration of three-time Grammy Award winning jazz singer-songwriter Dee Dee Bridgewater, the New Orleans Jazz Orchestra’s (NOJO) and its Artistic Director and jazz trumpeter Irvin Mayfield. The album, the first new music by Dee Dee Bridgewater since 2010, will be available in Europe and Asia on April 20th, 2015. Dee Dee’s Feathers gives a modern vision of New Orleans, painted through traditional songs such as Big Chief, Saint James Infirmary, and What a Wonderful World along with new compositions Congo Square and C’est Ici Que Je T’aime, which will transport people through the newly constructed home of Dee Dee Bridgewater in the historic neighborhood of the Tremé.
Very few bands have what it takes to leaven their stoner rock with equal parts melody and exploratory noise. Their exhilarating fourth album, Feathers, is the DC-based group's best album by far, thanks in no small part to the addition of second guitarist Cory Shane. Half the album is so good–and so eclectic–it brings to mind the bass-heavy assault of classic Blue Cheer and Sabbath, the sweet confectioner's space-pop of Jack Drag and Brian Jonestown Massacre, and the locked groove swagger of Comets on Fire and Black Mountain. Dead Meadow aren't afraid to melt genre conventions; "at Her Open Door," for instance, is very Zepp-y but trippy and sugar-y sweet—almost like Bumble Puppy, but way better. "Stacy's Song" is levitating and beautiful, a reverb-saturated tune that showcases singer-guitarist Jason Simon's distinctive vocals.