French composer Marin Marais (1656-1728) was remarkably prolific, writing nearly 600 compositions for viola da gamba, as well as many operas. One of his major collections of music for the gamba is Suitte d'un Gôut Etranger, a collection of 33 short works written, according to the composer, "to stretch the skill of those who do not like easy pieces." Jordi Savall, the most acclaimed gamba player of the late twentieth and early twenty first centuries, who is responsible for bringing many of Marais' works to light, plays with extraordinary virtuosity and expressiveness.
The 1991 French film Tous les matins du monde (All the Mornings of the World) attracted an audience of unexpected size for a story about French Baroque viol music, becoming a runaway hit in France and Germany and even gained wide distribution in the classical-chary U.S. The commercial ramifications grew with the release of the film's soundtrack, featuring early music giant Jordi Savall on viol; the soundtrack achieved platinum sales levels in its initial release. The film's story, built on a very few sketchy facts about the reclusive seventeenth century viol player known only as Monsieur de Sainte Colombe, drew viewers with its modern resonances touching on the conflict between art and popular success, and partly with its dramatic lighting reminiscent of the paintings of Louis le Nain. The soundtrack has a few pieces with vocals or with a small ensemble of other players.
If he were so minded, Jordi Savall might hand copies of this CD out to new acquaintances as the musical equivalent of a calling-card. True, he appears here only in the guise of soloist, whereas a more complete portrait would need to include samples of his work as director and conductor; but as an illustration of the range of the viola da gamba, this generously filled disc is exemplary. And although the calling-card might not be handmade, it is the nearest thing to it, since Alia Vox is Savall’s own, newly established label.
This beautiful recording, once long out-of-print, is now remastered in high definition multi-channel hybrid SACD, and is the first album made by Jordi Savall for the Astrée label, now reissued on Alia Vox. With this rare 1975 disc, Savall confirmed François Couperin as a master composer for viola da gamba with affinities to the previous masters of French music. On the recording Mr. Savall plays an authentic 7-string bass viol, anonymously constructed in 17th century France. He is joined by musicians Ton Koopman playing a Gilbert des Ruisseaux harpsichord built in the late 17th century and Ariane Maurette playing a Barak Norman bass viol constructed in London in 1697. Couperin’s music for these colorful instruments is marvelous, contemplative and beguiling. The highly collectible album, a must-have of the Savall oeuvre, is now available again and features a very informative booklet.
This double album is an invitation to explore the forces of nature, so vividly depicted by the composers at the turn of the XVIIth and XVIIIth centuries. With this stunning (and first) recording of Jean-Fery Rebel’s Les Elements, Jordi Savall displays his unmatched vision of the baroque orchestral repertoire, proving that authenticity and timbral beauty aren’t mutually exclusive. New recordings of works by Locke, Vivaldi, Marais, Telemann and Rameau - a splendidly varied and expressively wide-ranging selection - is a welcome addition to the existing landmark recordings made by Savall in this repertoire.
Marin Marais (31 May 1656, Paris – 15 August 1728, Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for 6 months. He was hired as a musician in 1676 to the royal court of Versailles. He did quite well as court musician, and in 1679 was appointed "ordinaire de la chambre du roy pour la viole", a title he kept until 1725.wiki
The first volume of Orient Occident - released in 2006 - turned out to be a landmark in Jordi Savall's discography. For the first time, the maestro explored an extra-European repertoire, demonstrating the same musicological expertise he had shown with composers like Marin Marais. The album soon became a best seller. The second volume in this exploration focuses on Syria, alternating instrumental and vocal pieces. Musicians from Syria, Lebanon and Israel play alongside Hesperion XXI and illustrate the artistic and humanist process we have come to expect from Jordi Savall.
This box set comprises eight discs recorded by the remarkable Jordi Savall with his wife Montserrat Figueras and the wonderful Hespèrion XX. They span a period of ten or so years from 1976 were originally issued on LP by Virgin Classics. Since those days Savall’s performances have matured and grown in confidence but one can still easily recognize the brains behind the outfit and the sound-world he wanted to create. Later he moved to Auvidis Astrée and in more recent times has set up his own label - Alia Vox - where he really has been set loose. He has produced discs with superb documentation which have investigated many forgotten corners of medieval and Renaissance music which quite often we never even knew existed.
Jordi Savall, once more time, shares with us a beautiful program of instrumentals and chorals pieces from the middle age. Alfons X El Sabio Cantigas are the most popular music pieces about this period, but also really majestic. The sound of this album is really magic. A very good choice for a first approach…
Samuel Scheidt (baptized November 3, 1587 – March 24, 1653) was a German composer, organist and teacher of the early Baroque era. Samuel Scheidt published 4 collections entitled Ludi Musici between 1621 & 1627, whereas only the first publication (from which the present program is taken) survives complete. Scheidt continues to be the most significant of the early North German instrumental composers.