In un'afosa estate, gli abitanti di Dendale erano stati costretti a spostarsi in un nuovo insediamento per permettere la costruzione di un lago artificiale che avrebbe sommerso completamente il vecchio paese. Si erano portati dietro anche i loro morti, disseppelliti e inumati in un nuovo cimitero. Ma quattro dei vecchi abitanti non si erano trasferiti: tre bambine, scomparse, e Benny Lightfoot, il maggior sospettato della loro sparizione. …
Investigating a policeman's disappearance in Enscombe, Yorkshire Superintendent Dalziel, Inspector Pascoe, and Sergeant Wield uncover a plot that threatens the entire community.
Three old men die on a stormy November night: one by deliberate violence, one in a road accident, and one by an unknown cause. Inspector Pascoe is called in to investigate the first death, but when the dying words of the accident victim suggest that a drunken Superintendent Dalziel had been behind the wheel, the integrity of the entire Mid-Yorkshire CID is called into question.
Andy Dalziel of the Mid-Yorks CID has witnessed a murder, but it was though dark glass and he was being sick at the time. Now he finds the case shrouded in uncertainty and a string of contradictory statements. And who is his anonymous letter writer threatening suicide? Meanwhile Dalziel's colleague, Peter Pascoe, has returned from a long convalescence uncertain about his job, his marriage, or his motivations whilst having to act as a moderator to the strong-willed Dalziel.
Given the glut of "String Quartet Tribute to So and So," "Electronic Tribute to Some Crappy Band," and "Pickin' on Whomever" "tributes," it's somewhat surprising that no one has tackled Pavement in a tribute album – not until now, at any rate. And even more surprising is that it's not one of those aforementioned knockoffs; it's a heavyweight jazz session with James Carter, Cyrus Chestnut, and Reginald Veal, three of jazz's finest players on their respective instruments (rounded out by the talented Ali Jackson on drums). You may be asking, "what the hell are a bunch of jazzbos doing playing Pavement tunes?" The short answer, "making a great album." Remember, underneath their slacker image and loose, lo-fi aesthetic, Pavement's best tunes were memorable and melodic with interesting (though sometimes ramshackle) arrangements.