Now compiled into a single handy package, Judee Sill's first two albums here resurface with extensive bonus tracks included. Sill's place in history is assured by the fact that she was the very first artist to sign to David Geffen's Asylum label at the beginning of the '70s, recording the two now legendary albums (her eponymous 1971 debut and 1972's Heartfood) found on this release. Sill's lyrical concerns tended to converge upon particularly eccentric Christian themes, never more successfully than on her debut single 'Jesus Was A Crossmaker', produced by Graham Nash.
Carry On is a four-CD set, spanning 50 years and includes more than five hours of music and includes a 113 page booklet. Produced by Graham Nash and Joel Bernstein with Stephen Stills, Rhino s anthology spotlights the remarkable scope of stills career with essential recordings, live cuts, new mixes, and 25 previously unreleased tracks. The tracks unfold mostly in chronological order, and the anthology leads off with its oldest entry: "Travelin " a previously unreleased recording that Stills made at age 17 in Costa Rica (one of the many places he lived growing up in a military family). The youngest track, recorded only a few months ago, features CSN performing "Girl From The North Country" in New York City during a sold-out five-night run at the Beacon Theater that closed the group s acclaimed 2012 world tour.
The superb 2016 six-disc John Coltrane box set The Atlantic Years: In Mono brings together most of the legendary jazz musician's Atlantic albums into one package, restored to their original mono sound. Beginning in 1959, Coltrane's Atlantic years were a transformative time for the saxophonist, during which he furthered his modal explorations and began incorporating aspects of the avant-garde, a vital combination that he would later bring to its pinnacle on his 1965 Impulse! classic, A Love Supreme. Included here are the landmark albums Giant Steps (1960), Bags & Trane (1959) with vibraphonist Milt Jackson, Olé Coltrane (1961) featuring trumpeter Freddie Hubbard, Plays the Blues (1960), and Coltrane's collaboration with maverick pocket trumpeter Don Cherry, The Avant-Garde (1966). Also included is a 32-page book featuring photos by Lee Friedlander and liner notes by writer Ashley Kahn.
While it's true this set has been given the highest rating AMG awards, it comes with a qualifier: the rating is for the music and the package, not necessarily the presentation. Presentation is a compiler's nightmare in the case of artists like John Coltrane and Ornette Coleman, who recorded often and at different times and had most of their recordings issued from the wealth of material available at the time a record was needed rather than culling an album from a particular session.
On November 11, Rhino Records will celebrate the music of avant-garde iconoclast Don Van Vliet, a.k.a. Captain Beefheart, with a new four-CD box set. SUN ZOOM SPARK: 1970 to1972 focuses on the period following the release of his career-defining 1969 album Trout Mask Replica. During that creatively fertile patch, Beefheart released three albums that have long lingered in the shadow of Trout Mask and even of Beefheart’s Richard Perry-produced debut Safe as Milk. SUN ZOOM SPARK revisits these three albums – Lick My Decals Off, Baby, The Spotlight Kid, and Clear Spot- in freshly remastered editions, and adds a fourth disc containing fourteen previously unreleased outtakes and alternates from Beefheart and his Magic Band cohorts. Housed in a 7½ x 7½ picture box - still sealed in stickered shrinkwrap.
Weighing in at 15 CDs, The Studio Albums 1969-1983 is a hefty box set but, at $85, it is relatively affordable considering that it contains everything Alice Cooper – both the band and the man – recorded at Straight and Warner. Whatever bonus material attached to CD reissues over the years has been stripped away – nothing from the 2001 deluxe edition of Billion Dollar Babies, then – and there are no new remasters of the albums, but this set isn't bare bones. The mini-LP replicas contain a few inserts carried over from the vinyl and, more importantly, those early Straight Records are present, which is good because they were out of print for a while. Not everything here is great – he did have a rough patch in the late '70s and early '80s – but it's all interesting, and it's especially nice to be able to get the entire catalog so easily and cheaply.
It was, at the time, one of the highest-grossing rock tours ever, grossing over 11 million dollars in an era when such figures were uncommon. Such success camouflaged the chaos behind the scenes – the bitter fights and feuds, the excess and indulgence that led to Crosby, Stills, Nash & Young pocketing about a half million dollars each, when all was said and done. Big bucks were the reason the CSNY 1974 tour even existed. Efforts to record a new album in 1973, their first since 1970's breakthrough Déjà Vu, collapsed but manager Elliot Roberts and promoter Bill Graham convinced the group to stage the first outdoor stadium tour in the summer of 1974, with the idea that CSNY would test-drive new material in concert, then record a new studio album in the fall, or maybe release a live record from the historic tour. Neither happened.
This set collects the seven studio albums from 1984′s Red Roses For Me to Pogue Mahone from 1996 and adds a previously unreleased live album The Pogues with Joe Strummer Live In London (recorded in December 1991). There have been Pogues reissues before of course, notably in 2004 when the albums were re-released on CD with bonus tracks. Rhino also issued an Original Album Series collection in 2009 that brought together the five Shane MacGowan albums in the usual card slipcase packaging. So while in some ways 30 Years treads familiar ground, there is still much to recommend it. First off the band were involved in the project, and were keen to have their say. The decision to revert back to ‘just’ the albums and lose the 2004 bonus tracks was theirs, for instance. Another example of the band’s input was the cover design of the box. The literary types amongst you might notice that the typesetting and design is ‘inspired by’ an edition of James Joyce’s landmark work Ulysses.
The set kicks off with the 1969 live album Concerto For Group and Orchestra and also includes In Rock (1970), Fireball (1971), Machine Head (1972), Made In Japan (1972), Who Do We Think We Are (1973), Burn (1974), Stormbringer (1974), Come Taste The Band (1975) and Made In Europe (1976)